Meanwhile, Thomsen is sympathetic but not very likeable, understandably.Ĭontinue reading: The Commune Review Her scenes with Hansen and Neumann carry an extra emotional kick that's very moving. Obviously, Dyrholm's role elicits the most sympathy as a woman trying to be open-minded about her husband's affair, but unable to avoid the feeling that her life is crumbling around her. While the entire cast is excellent, the main focus is on central quartet of Thomsen, Dyrholm, Hansen and Neumann, each of whom delivers a surprisingly textured performance as an engaging person whose personal decisions create all kinds of issues for the people around them. Then this warm extended family has to face a serious challenge when Erik falls in love with his student Emma (Helene Reingaard Neumann) and decides to move her into the house as well. With the house full, their lives become enjoyably full. So they invite their old pal Ole (Lars Ranthe) to join them, then vote to admit several others, including a couple (Anne Gry Henningsen and Magnus Millang) with a frail 6-year-old son and a guy (Fares Fares, of The Keeper of Lost Causes) who wears his emotions on his sleeve. But the house is too big for just them and their 14-year-old daughter Freja (Martha Sofie Wallstrom Hansen). After inheriting the home where he grew up, architecture professor Erik (Festen's Ulrich Thomsen) and his news anchor wife Anna (A Royal Affair's Trine Dyrholm) decide to move in.
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